John Burke
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Luminous Landscape
Canon’s Autofocus Pixels Goes 3D
Dual Pixel 3D Converter turns one still into a 3D model. Here's how it works, how to shoot for it, and why a slightly gimmicky tool has me excited.
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The Reggae mural, its photography and installation at Oakwood LRT Station, Toronto
Toronto has first-rate mural artists of numerous cultural backgrounds, many of whom grew over the years from a graffiti tradition and/or formal training in the...
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Nine-Ninety-Nine! The OM SYSTEM PEN Is the Most Fun for $999
Here it is. The fun-for-everyone camera. The new OM SYSTEM PEN arrived on September 9, 2026 and ships in late October at Nine-ninety-nine for the...
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Lula Show & Tell – August: Reflections (Part 2 of 2)
From quiet waters to unexpected reflections, Part 2 brings together another wonderful selection from our community.
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Jay Maisel Kept Looking
Jay Maisel died in August 2026 at the age of 95. Most of the obituaries reached for the same picture first. Miles Davis lowers his...
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Lula Show & Tell – August: Reflections (Part 1 of 2)
A look at the creative ways our community captured reflections.
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DxO PhotoLab 10 – worth the upgrade?
New AI masking, improved performance and more control for photographers.
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Claire Rosen’s Birds of a Feather
Claire Rosen builds portraits with subjects who hold all the power. Any bird in front of her camera can end the session by simply turning away,...
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Same Cameras, Same Film, Thirty Years Later
Thirty years ago I picked up a rotating-lens panoramic camera and a box of transparency film, and I never really put either one down. It’s...
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From the Farm to the Darkroom: Jean Curran and the Glorious Art of Dye Transfer
There's a moment in Alfred Hitchcock's Vertigo - a flash of color so saturated, so electrically alive, that it doesn't look like film. Jean Curran wondered about it and asked why.
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Seth Godin
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